The International Red-White Singing Festival Audition in Los Angeles was held on August 29, 2026, in front of the Aratani Theatre in Little Tokyo, Los Angeles, with the cooperation of the Little Tokyo Farmers Market, the Los Angeles Friends of the Japan Singers Association, and FUJISCHOOL.

This audition was conducted monthly from January to July in an open-mic format, and four participants selected through this process performed Japanese songs they had diligently practiced, competing for the right to represent Los Angeles at the main festival in Japan.

As a judge, I had heard about the participants’ deep commitment to this event during preliminary Zoom meetings, so it was truly difficult to select only one winner ultimately.

The participants came from diverse backgrounds: some had been inspired by anime since childhood and began singing Japanese songs; others enjoyed Japanese city pop, which has recently gained popularity in the U.S., and relieved work stress by singing Japanese songs alone at karaoke bars; and there were those learning Japanese with help from their Japanese girlfriends, even writing their own Japanese lyrics.

Among the people I met at Japanese language schools, there was a man who had previously lived at a U.S. military base in Okinawa and, having had many positive interactions with Japanese people, decided to learn Japanese. There was also a woman who began studying Japanese because she wanted to speak more with her host mother during a university homestay in Japan. Many such cases showed that Americans’ personal experiences in Japan often served as the starting point for their Japanese language learning, which was very impressive.

Although public Japanese language classes are decreasing within the United States, interest in private Japanese lessons, online courses, and self-study through apps has been rising due to the global “Japan boom.”

Japanese is not a practical language like Spanish or Chinese, and the number of speakers worldwide is relatively small. However, the significant increase in people who love “Japanese culture,” including anime and manga, or who simply admire “Japanese people” and “Japan” itself, is undoubtedly a major factor behind this trend. Through interactions with many Americans at Japanese language schools in Los Angeles and at this singing festival audition, I strongly felt this reality.

Ultimately, Markus Kley, who performed an original song with lyrics and music composed by himself, was chosen as the Los Angeles representative to compete in the main festival to be held in Osaka.

Like the performer from São Paulo, Markus is scheduled to stay in Osaka for about one week. During his stay, he will interact with volunteers and event staff, and a program has been arranged for him to tour Osaka with guidance from student interpreter volunteers.

Little Tokyo features shops selling anime character goods, Japanese-style game centers, Japanese bookstores, and other attractions, making it a place where Americans can easily experience Japanese subculture. At the same time, for Japanese people, it is also a neighborhood where one can feel the resilience of Japanese Americans who have lived through diverse experiences in the United States.

Thus, while Little Tokyo is rooted in the history of Japanese Americans, it has also become a kind of “Akihabara within America” for other Americans, evolving into a neighborhood with new appeal that transcends generations and nationalities.

At the singing festival audition, it was deeply gratifying as an organizer to see senior-generation Japanese Americans warmly watching Americans who purely love Japan perform Japanese songs.

As I stated in my opening remarks as an organizer, “The International Red-White Singing Festival is not a competition to judge superiority or inferiority, but a festival honoring those who overcome the challenge of singing in a foreign language and stand on stage.” Our goal is for this event to become firmly rooted in Little Tokyo as a place of exchange that transcends generations and ethnicities, connecting “Americans who love Japanese culture such as anime and subculture” with “Japanese Americans from diverse backgrounds.”

Coincidentally, every August, Little Tokyo hosts NISEI WEEK, a traditional festival cherished deeply by Japanese Americans. Established in August 1934, it annually celebrates Japanese American culture, history, and traditions. I also participated in the Bon Odori parade on the final day, August 23, together with students and teachers from Japanese language schools,FUJISCHOOL.

(Together with FUJISCHOOL teachers and students)

In addition to dances from Okinawa, Hokkaido, and the Tohoku region, American participants also enjoyed “BONODORI” to city pop tunes and even Michael Jackson songs.

I look forward to returning to Little Tokyo next August for both the International Red-White Singing Festival Audition and NISEI WEEK.

(Kazumi Miyazaki, Founder of Global Community and Representative of the International Red-White Singing Festival Executive Committee)

 

 

 

Student-Created Excitement: One of Kyoto’s Largest Festivals

In Kyoto, known as the “city of students,” the Kyoto Student Festival attracts some over 100,000 visitors every October.

At the heart of the festival’s operation—and deeply committed to promoting the original creative dance “Kyoen Sodefure!”—is Ms. Mayu Mineta, who is now in her fourth year as a member of the executive committee. Through an interview with her, we explore the festival’s profound appeal and the unique charm of “Sodefure.”

The Kyoto Student Festival is a “student-produced” event made possible by the special character of Kyoto, where students account for approximately one-tenth of the city’s population. Students take full responsibility for bringing energy and excitement to iconic Kyoto locations such as the area in front of Heian Shrine and the Okazaki Promenade.

Mineta first became involved after receiving a flyer during her first year at university. What began as an opportunity to pursue her interest in event management—an interest cultivated through student council activities in high school—eventually became the central focus of her university life. While many executive committee members retire after their third year, Mineta decided to continue into her fourth year because she strongly felt that “there is still more I can do.”

Building Connections Across Borders

One of the festival’s greatest attractions is the opportunity to connect deeply with international students, transcending the boundaries of local communities and individual universities.

To give international students an opportunity to experience Japanese traditional culture firsthand, the festival recruits them to carry the “Kyoen Mikoshi” during the main event. It also holds several international student exchange gatherings each year, creating many opportunities for intercultural exchange.

The enthusiasm has now spread beyond Japan as well. In the past, members of the festival visited Hue City in Vietnam and performed “Sodefure,” demonstrating how the spirit of the festival continues to reach audiences around the world.

Diverse Opportunities to Shine—even if You Are Not a Dancer

There is no need to hesitate by saying, “I’m not good at dancing.” In fact, Mineta herself once thought, “I absolutely do not want to dance.”

However, the festival offers many important roles behind the scenes, including supporting dancers as a manager, planning stage programs, and handling public relations. For those who would like to try dancing, there are “traveling dance classes” and practice sessions where participants receive careful instruction from the basics. This creates a welcoming environment in which even beginners can participate with confidence.

The festival also features the “National Dance Contest,” an open-genre competition in which anyone can perform. The wonderful thing about this festival is that people with a wide range of personalities and talents can take center stage.

Sharing the Moment of Becoming “More in Love with Kyoto Than Ever”

This year’s theme, “Today, I Love Kyoto More Than Ever,” expresses a wish to rediscover Kyoto’s many facets—including its history, culture, and the energy of its students—and pass them on to the future.

At the finale of the main festival, which was held in its full form for the first time in five years, performers, spectators, and executive committee members came together as one while silver streamers filled the air. For Mineta, that unforgettable scene has become a treasure she will cherish for the rest of her life.

“Everything you gain from taking action—the joy, the frustration, and even the setbacks—becomes nourishment for your future,” she says.

Whether you are a university student in Kyoto, an international student from somewhere around the world, someone who loves dancing, or someone who is preparing to take on a new challenge, come and join us in this place where you can discover a new side of yourself. Let’s enjoy it together!

Shinto Culture Connecting International Exchange and Reconciliation at Pearl Harbor

Hidetoshi Tojo has long presented Shinto culture not merely as a Japanese tradition, but as a shared language through which Japan can be understood by people around the world. In international exchange, it is not enough to translate words; one must also understand cultural backgrounds and communicate one’s own culture clearly. In that sense, Tojo’s work quietly shows the importance of global literacy.

For many years, the international exchange media Global Community has also carried his ongoing column on Shinto and Japanese culture. In those writings, he has not only introduced Japanese traditions, but also explained how learning culture can deepen respect for others and strengthen dialogue. For readers, it has offered an opportunity to feel closer to Japanese culture while also gaining a broader understanding of the world.

 

As the Representative Director of the General Incorporated Association for International Cultural Education Promotion, he has continued working to deepen understanding of Japanese culture. He has also helped build frameworks for learning about shrines and Shinto, and through his overseas experiences, he has emphasized that knowing one’s own culture helps foster respect for other cultures. In international society, what matters is not only knowledge, but also the willingness to listen and accept others.

 

His ideas also support the development of younger generations through GC Student Interpreter Volunteer Guide, where he serves as an advisor. The role of an interpreter or guide is not simply to translate words. It is also to convey historical and cultural context, as well as the atmosphere of the place. Through such experiences, empathy and understanding naturally grow. Here too, we see the idea that learning Japanese culture can strengthen one’s ability to engage in dialogue with the world.

These efforts came to a remarkable expression at the Spiritual End of the War Peace Flame Ceremony held in Pearl Harbor, Hawaii, on May 24, 2026. At the Pearl Harbor National Memorial, a large rainbow appeared over the battleship Missouri, creating a quiet and deeply moving atmosphere. The day began with a visit to the USS Arizona Memorial, where prayers were offered for those who lost their lives in the war, followed by a presentation of origami cranes.

During the ceremony, Tojo was given about ten minutes to speak, and he conveyed his thoughts in English with sincerity. He also joined the “Heart Reconciliation” signing together with Paul Dyson, Chief Operating Officer of the USS Missouri Memorial Association; Masahiro Sasaki, the brother of Hiroshima atomic bomb victim Sadako Sasaki; Akie Abe, widow of former Japanese Prime Minister Shinzo Abe; and Clifton Truman Daniel, grandson of former U.S. President Harry S. Truman. It was a meaningful moment that looked toward the future without forgetting the past.

 

In the afternoon, another signing ceremony was held inside the USS Missouri. That was the historic site where Japan signed the instrument of surrender after World War II. Seeing the photographs from that time and the marks left on the ship made the weight of war feel real once again. In that place, it became especially clear how important it is to move beyond past conflict and connect it to peace.

 

The following day, he was also able to take part in the annual lantern-floating ceremony at Pearl Harbor. Although participation had seemed difficult at first, an unexpected connection allowed him to receive one lantern. After writing a message on it and sending it out to sea, he felt peace and prayer quietly spread across the water.

This journey to Hawaii was far more than a ceremonial visit. It was a profound experience that connected history, culture, prayer, and hope for the future. Preserving tradition and opening it to the world are not contradictions. Knowing our own culture, understanding others, and wishing for peace—this accumulation of small efforts is what international exchange truly needs.

 

 

A Historic Dialogue Between the Palestinian and Israeli Ambassadors

On December 13 in Tokyo, I had the honor of attending a historic dialogue between H.E. Waleed Siam, Ambassador of Palestine to Japan, and H.E. Nissim Ben-Shitrit, Ambassador of Israel to Japan.

According to their remarks, the majority of people on both sides are willing to recognize and accept one another, and the two ambassadors themselves share a warm personal friendship. There were also plans to organize a joint tour to Palestine and Israel during Japan’s Golden Week in May, accompanied by both ambassadors. Furthermore, the Israeli ambassador declared that a peace agreement between the two sides could be achieved in the following year.

Japanese individuals are playing an active role in promoting world peace. This dialogue was made possible by Mr. Masanobu Yamamoto of Yamamoto Gakuen, who has close relationships with both ambassadors. It demonstrated that even ordinary citizens, with sincere goodwill toward both sides, can contribute meaningfully to peace. Japanese people, in particular, have the potential to serve as important ambassadors of peace in the world.

Please see below for the content of the dialogue.

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Q (Mr. Yamamoto): For many years, Palestine and Israel have been unable to recognize each other, and conflict has continued. Recently, however, democratic movements have been gaining momentum in Arab countries. Under these circumstances, what do you think is necessary for Palestine and Israel to recognize each other and build a friendly relationship?

A (Palestinian Ambassador): While coordination through international organizations or mediation by other countries can be one solution, I believe it is even more important for the two parties themselves to sit down face-to-face and engage in direct dialogue. In addition, economic prosperity is essential for building lasting peace. Media coverage tends to focus on conflict, creating the impression that Palestinians and Jews are constantly at odds. However, the problems are caused by only a small number of extremist groups. The vast majority of people genuinely desire peace. It is important that both sides embrace and respect the idea of “two states in one land.”

A (Israeli Ambassador): I completely agree with the Palestinian ambassador. Many proposals have been put forward by the United Nations and various countries, but I believe the most effective path is to resolve economic issues.

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Q (Mr. Yamamoto): Some argue that even if Palestine is recognized as a state, it may not be economically self-sufficient. What is your view?

A (Palestinian Ambassador): I do not believe that is the case. Of course, the early stages of independence may be challenging. However, Palestine is blessed with natural resources such as fertile land and beautiful coastlines, and it has many highly educated individuals, including those with doctoral degrees. If stability can be achieved and economic development pursued in cooperation with Israel, I am confident that Palestine can thrive as an independent nation.

A (Israeli Ambassador): Sixty-three years ago, we also built our country from almost nothing. Although we lack natural resources such as oil, we developed our nation through highly educated human resources, a strong desire for independence, and support from other countries. Palestine, too, has strong determination and support from Arab nations, and I believe it can build a successful independent state. For that reason, it is important for both Palestine and Israel to approach each other with a spirit of compromise and continue peace negotiations for the peaceful establishment of Palestine.

A (Palestinian Ambassador): I agree. Relations between Arab countries and Israel are improving, and there is a growing global atmosphere that strongly desires peace. We must seize this opportunity.

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Q (Mr. Yamamoto): We have established an organization to introduce advanced technologies from Japan’s next-generation small and medium-sized enterprises to countries around the world, contributing to national development. Is there anything we can do to assist you?

A (Palestinian Ambassador): Absolutely. Japan has contributed significantly through initiatives such as the “Corridor for Peace and Prosperity,” investing substantial resources in infrastructure and supporting refugees over many years. We are deeply grateful. We would welcome Japanese small and medium-sized enterprises to come to Palestine and develop businesses. We are preparing an environment that is favorable for investment and look forward to welcoming you.

A (Israeli Ambassador): We are pleased that Japan continues to support the Palestinian people. We also support Palestinian economic development in various fields, including agriculture and solar energy. As the Palestinian economy grows and dissatisfaction decreases, conflict will naturally diminish.

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Q (Mr. Yamamoto): I have heard rumors that if you enter Israel, you may not be able to enter Palestine, and vice versa. Is that true?

A (Israeli and Palestinian Ambassadors): There may be some inconveniences depending on the area, but why not visit and see for yourself? We would like to propose a plan: during the Golden Week holidays in May 2012, we are planning to host visitors from Japan for five days each in Palestine and Israel. Our embassies will warmly welcome you, so we sincerely invite you to join us.

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Q (Mr. Yamamoto): That is a wonderful proposal. Let us all go together. I am truly encouraged to see such a strong spirit of cooperation between the people of Palestine and Israel. Finally, may I ask each ambassador to share a message with the people of Japan?

A (Palestinian Ambassador): We are deeply grateful for your continued support despite the difficult circumstances. May is one of the best seasons to visit Palestine, with beautiful seas and mountains. We warmly invite you to come. I personally assure you that your visit will be safe and comfortable.

A (Israeli Ambassador): The disaster of March 11 was not only a tragedy for Japan but also for the entire world. It reminded us all of the importance of a safe and peaceful society. We hope to contribute in any way we can to Japan’s swift recovery. Furthermore, for the sake of global peace, I would like to express here our commitment to achieving a peace agreement between Israel and Palestine in 2012.

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Mr. Yamamoto: That is truly remarkable. I feel honored to have witnessed such a historic moment. Thank you very much to both ambassadors for your heartfelt and inspiring words. To our readers, let us join this historic tour with both ambassadors next May.

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I attended the special event “The New Wave of Asia: Asian Pop Moving the World,” jointly hosted by Doshisha Women’s College of Liberal Arts and Dong-Ah Institute of Media and Arts（DIMA） The venue was filled with an energetic atmosphere, as people gathered to experience the forefront of music and culture.

DIMA is a top-tier entertainment specialty university in Asia, producing many K-POP artists and video producers. The Academy Award-winning film "Parasite" and the globally viral hit "Squid Game" were also filmed at the special studio within DIMA.

In the keynote lecture, Professor Shim Hee-chul discussed the evolution of K-POP fandom, using BTS as a central example. What struck me most was the idea that today’s fans are no longer passive supporters; they actively promote their favorite artists, strategically influence rankings and visibility, and support them as if their success were their own. It was also fascinating to learn that fan-created goods and content can spread widely and eventually become officially recognized, forming a unique and dynamic cycle that distinguishes K-POP from traditional music cultures.

The panel discussion that followed was equally engaging. A particularly interesting topic was the similarity between Anseong in Korea and Kyoto in Japan, both regions with deep-rooted traditional cultures. The discussion highlighted how contemporary pop culture can coexist with and even revitalize historical heritage. One surprising point was that as K-POP has gained global popularity, more young Koreans have started visiting museums and reconnecting with their cultural heritage. Notably, the National Museum of Korea in Seoul now ranks third in the world in terms of visitor numbers, which I found remarkable. This demonstrated how pop culture can serve as a gateway to deeper cultural understanding.

In the second part, a mini live performance by sEODo and Park Ji-hyun captivated the audience with their powerful vocals and expressive performances. Their set included not only K-POP but also J-POP covers, creating a sense of connection that transcended national boundaries.

The third part featured an open workshop, where participants could observe practical vocal training led by top instructors. Audience members were also invited to join, offering a rare opportunity to experience K-POP vocal techniques firsthand. Through the challenging song “Golden,” I was able to appreciate the high level of skill and expressive ability required of professional artists.

K-POP is no longer just a music genre; it is a dynamic cultural force that integrates fans, education, industry, and even traditional culture. This event provided a powerful and inspiring glimpse into that evolving landscape.

(Global Community Editor in Chief, Kazumi Miyazaki)

with the speaker ,Professor Shim Hee-chul 

The Torch of Knowledge

“Becoming One Family / Connecting the Hearts of Japan and Nepal through Images and Songs”

Currently under application for official recognition as a commemorative project celebrating the 70th anniversary of the establishment of Japan-Nepal diplomatic relations (2026)

2026 marks the 70th anniversary of diplomatic relations between Japan and Nepal. We invite those interested in Nepal and international exchange to a heartfelt free event, “Becoming One Family / Connecting the Hearts of Japan and Nepal through Images and Songs.” It will be held on May 3 (holiday) at 16:00 at Oushinin, a sub-temple of Jodo-shu Dairenji Temple, in Tennoji-ku, Osaka City.

Part 1: Film Screening and Talk
Screening of the short film “Bagmati River” (approx. 29 min), entirely shot in Nepal. This work carries the legacy of mountaineer Fumitaka Kuriki, who aimed to summit Everest, depicting a woman’s journey confronting the death of a loved one, quietly conveying modern Nepal’s prayers and daily life.

Part 2: Guest Dialogue
Talk by Nepalis living in Japan and Sundari Mica, who has resided in Nepal for 33 years. Sharing Nepal’s views on life and family, daily joys, cultural frictions, and the realities of exchange to bridge hearts.

Part 3: Music Concert
Approx. 60-minute live performance by Sundari Mica Band, led by Sundari Mica. They heated the finale of the “International Red & White Singing Festival” official event at the Osaka-Kansai Expo on September 19, 2025, with Nepali versions of “Shima-bito no Takara” (Treasure of the Islanders) and Japan-Nepal collaborative song “Buddha’s Eyes See the Ocean,” among others.

An event where images, dialogue, and music transcend diverse roots to feel the bond of “family.”

Free admission.
We are also recruiting chorus participants (no experience in Nepali or chorus required).

https://youtu.be/_rSb9eGoC10?si=rHqOb2IFnFjlcGFj　（Reference Video）

Inquiries: sundarimusic.info1@gmail.com (Takagi).

Shining Futures at HotsuFes — International Students Take the Stage!

（"The popular annual feature at HOSFES: the Traditional Costume Try-On Corner"）

（You can experience face painting from Myanmar.）

On November 15, the Osaka Castle Open-Air Music Hall was filled with bright singing voices and enthusiastic applause. Under the clear autumn sky, Hotsuma International School once again hosted its annual “HotsuFes,” a vibrant celebration that brought together students, staff, and the wider community in a festive atmosphere.

HotsuFes is more than just a school event—it’s a showcase of the talents, friendships, and cultural exchange that define the school’s spirit. From lively performances to heartfelt moments of connection, the festival highlights the growth and achievements of the international students as they immerse themselves in Japanese language and culture.

Watch the energetic students light up the stage with their vibrant K-POP dance performance!　⇩

https://youtube.com/shorts/On1FHiZ2WM4?si=rbaxj-3DacCZTH8S

The whole class sang "Ashita ga aru sa" together.　⇩

https://www.youtube.com/shorts/uzRsEKIImNU

On stage, students presented the results of their daily practice, filling the venue with smiles and emotion. This year, the event was held at the music hall inside Osaka Castle Park, a popular tourist spot, to allow even more members of the public to witness their performances. It was heartwarming to see international students, who have only recently arrived in Japan and are studying Japanese, singing in Japanese and expressing their own cultures through dance and fashion shows.

Among them, we spoke with three international students who were especially energetic in livening up the stage.

Nolanta (from Indonesia, center in the photo) remained very calm on this big stage and confidently served as the emcee, speaking clear Japanese. Currently working part-time at a care-related company, she plans to pursue a career in caregiving. While studying Japanese, she has also gained practical experience through her part-time job, and her confidence in her work has grown noticeably.

Bumika (from Nepal), who participated as a model in the fashion show, and Solina (from Nepal), who danced, are both aiming for higher education and are diligently studying for entrance exams every day. Both seemed to thoroughly enjoy the experience of wearing their traditional national costumes and performing on stage.

（Bumika (from Nepal) changed into her performance costume and struck a pose on stage）

The audience included not only tourists visiting Osaka Castle, but also senior students who came to support their juniors. While it is no longer unusual to see international students working part-time at restaurants, convenience stores, factories, or care facilities in urban areas, there are not many chances for locals to learn about their cultures. In this sense, events like this are truly valuable.​

Despite their busy schedules, the students seemed to have found the experience of preparing for and performing on stage very fulfilling.

For next year’s 14th International Red-White Singing Festival, a “Student Fashion Show” is also planned, where international students will wear traditional costumes from their countries and share their cultures through fashion. We hope many more students will participate in this meaningful event.

--A View from Backstage--

（A Sri Lankan male student waiting for his turn to sing said, "Since I can sing in Japanese too, I want to challenge myself and perform at next year’s International Red-White Singing Festival.".​​）

（The trio of hosts were incredibly energetic and served as the natural leaders of their class）

（A group of men wearing traditional Sri Lankan festival attire, representing their special cultural celebration.）

Kyoto Aquarium for the special nighttime private event

I visited the Kyoto Aquarium for the special nighttime private event held on October 17 (Friday) and 18 (Saturday).
This event was organized as part of the services provided to residents by Choei Co., Ltd..

(4000 tenants are invited to this event on the 17th and 18th of Oct.)

Before the 6:30 p.m. opening, a long line had already formed at the entrance, and inside, Choei’s friendly mascot welcomed the guests. Many families and couples living in Choei’s managed properties enjoyed the dolphin show and the aquarium's unique nighttime atmosphere.

Short Movie　https://www.youtube.com/shorts/1gm3A5zzjaw

The “Splash Seat,” where visitors could feel the spray as dolphins leaped right in front of them, was especially popular—not only with children but also with young mothers who, often busy with parenting, were able to relax and reconnect with their playful side.

Each penguin had its own name to help visitors feel more familiar with it. 

The exhibit also highlighted creatures from Kyoto’s clear mountain streams, such as the native Japanese giant salamander.

Mr. Kahfi from Indonesia shared that after graduating from a university in Indonesia, he studied at a Japanese language school in Kyoto. Having fallen in love with the city, He decided to join Choei, a local real estate company. He first worked in the hotel division, but now enjoys assisting foreign residents in finding homes in Kyoto.

I also saw several international students and families participating. I felt that this kind of community event, organized by a real estate management company, is significant in today’s world, where neighborhood ties are weakening. It offered a precious sense of connection and peace of mind for everyone involved. (Editor of Globalcommunity Kazumi Miyazaki)